What is George Harrison's best song

George Harrison - "All Things Must Pass"

What a triumph! Harrison turns the songs that Lennon, McCartney and George Martin didn't want - "Isn't It A Pity" comes from the "Revolver" days - a double album pompously overproduced by Phil Spector, with an additional record with a super occupied a jam session and sells far more than his ex-colleagues with their first solo albums. In fact, as indicated on the cover, he has demoted his former comrades to garden gnomes from a purely commercial point of view. And the guitar sound that is still associated with him today is actually only brought to perfection by Harrison here, after the end of the Beatles. “My Sweet Lord” is the first single from an ex-Beatle to make it to the top of the charts in England and the USA (and which brought Harrison a copyright lawsuit because his world hit was too much like the Chiffons hit “He's So Fine “sounds). At a time when youth are on all sorts of spiritual paths, Harrison hit a nerve.

John Lennon - "Plastic Ono Band"

On his first solo album, Lennon processed the experiences he had when he underwent Arthur Janov's primary therapy and confronted his childhood trauma. The accidental death of his mother, his origins, the price of fame, the withdrawal of heroin and the hatred that his wife Yoko Ono showed are the focus of these songs. He is accompanied by Ringo Starr on drums and Klaus Voormann, whom he once met in Hamburg, on bass. But it's his guitar, which sounds like he's playing on his nerve endings, that determines the sound of this record. In the end, all myths are burst and all secrets are revealed, and Lennon - apart from the reverberation that producer Phil Spector puts around his voice - stands there naked.

Paul & Linda McCartney - "Ram"

His debut, "McCartney" from 1970, exhibited the Post-Beatles Depression, "Ram" is his downright manic new beginning a year later. "Piss off", he sings at the beginning (or "piss-off cake" as in "piece of cake"), as if he wanted to say: "Go away, everyone, I can do it alone", and then the whole thing To show the range of his skills, from thrown acoustic pieces to pop symphony, from mangy rockers to delicate ballads. And with Linda he sings harmonies that only lovers can sing. In 1971 the album fell through from critics and ex-colleagues. In the past two decades it has been rediscovered by new generations. If the word power pop was ever used, it was used to describe this album.

John Lennon - "Imagine"

After the bare “Plastic Ono Band”, Lennon takes the icing and sings several great, not entirely pathos-free piano ballads, like those delivered by McCartney with the Beatles towards the end. The title piece was based on an idea by Yoko Ono (who has been in the author's line for this since 2017), "Jealous Guy" is a textually superior new version of the Beatles outtake "Child Of Nature", "Oh My Love" and "How" cover the nudity that Lennon exhibited on “Plastic Ono Band” with cotton wool. The wit and the sharpness that make him stand out, he delivers not only in the McCartney Diss track "How Do You Sleep?", But also in the best song on the album, the Beatles-proven "Gimme Some Truth".

Ringo Starr - "Ringo"

All three Beatles help Ringo Starr after the cover albums "A Sentimental Journey" and "Beaucoups Of Blues" with his first solo album with new songs. George Harrison writes the top ten hit single "Photograph" with him and, together with former Beatles assistant Mal Evans, "You And Me (Babe)", the McCartneys are giving away the pretty "Six O'Clock", and Lennon is writing “I'm The Greatest” for him (even if he was actually referring to himself). The second single, Starr's version of Johnny Burnette's "You're Sixteen", also becomes a hit, and "Ringo" is his most compelling and successful solo album to date.

George Harrison - "Living In The Material World"

Two and a half years passed before Harrison released a successor to his triple album "All Things Must Pass". Not because he ran out of song ideas, but because he was busy with the “Concert For Bangla-Desh”. On "Living In The Material World" Harrison continues his spiritual quest without ignoring the mundane problems of the post-Beatles arguments. At the same time he tries to escape his old identity in songs like “Be Here Now”, “The Light That Has Lighted The World” and “Who Can See It”. If “All Things Must Pass” was a kind of greatest hits of the songs disdained by the Beatles, “Living In The Material World” is a closed album that Harrison produced himself after Spector's behavior became increasingly erratic.

Paul McCartney & Wings - "Band On The Run"

The post-Beatles depression seems to have finally been overcome, McCartney has returned from the hermitage, has ears again for what is going on in the pop world (glam and prog rock, for example) and is building a sound from the trendy sounds , which was to become characteristic of his new band and has little in common with the Beatles. The wings seem to have already come to an end before the recording of their third album, as drummer Denny Seiwell and guitarist Henry McCullough left the band on the previous evening for their flight to Lagos, where large parts of “Band On The Run” are to be created. Under the most adverse circumstances, the McCartneys record a classic of epic rock songs and beguiling melodies with Denny Laine as a trio. While the former colleagues seem to have shot their guns, McCartney takes off and the Wings become one of the greatest rock bands of the seventies.

George Harrison - "George Harrison"

The rather weak albums "Dark Horse" and "Extra Texture", a voice shot by too much cocaine and a disastrous US tour during which he fell out with John Lennon, led to George Harrison's solo career in the mid-seventies Ran out of air. The again very good "Thirty Three & ⅓" from 1976 made it into the top ten neither in the USA nor in England, Harrison preferred to devote himself to film production and car racing. After a three-year break, his most beautiful pop album appears relatively unnoticed, which not only has Beatlesque echoes in the nocturnal “Here Comes The Sun” sequel “Here Comes The Moon” and the “White Album” out-take “Not Guilty” and thanks to Russ Titelman's slick yacht rock production and Steve Winwood's keyboards, it sounds contemporary at the same time. The opening track, "Love Comes To Everyone" (with Clapton solo), and the small single hit "Blow Away" are among Harrison's most beautiful songs.

John Lennon & Yoko Ono - "Double Fantasy"

The comeback after a five-year break should actually consist of two albums on which Yoko Ono and John Lennon alternate with songs. Only the first one is finished, on which Lennon no longer sounds like the torn genius or the brash rebel, to the annoyance of the criticism of the time, but like a husband and father who has come to terms with himself. Songs about happiness like “Watching The Wheels”, “Beautiful Boy” and the beatlesque “Woman”, which take on a tragic dimension after his death, are early examples of what will later be called adult contemporary pop, and in their own way as honest and ruthless as the songs on "Plastic Ono Band". Ono is the new wave ice queen in "Kiss Kiss Kiss" and "Give Me Something".

Paul McCartney - "Chaos And Creation In The Backyard"

John Lennon's death plunges McCartney into a great creative crisis. He dissolves the Wings, records another classic album with “Tug Of War” and is looking for a new songwriting partner and Lennon replacement in cooperation with Stevie Wonder, Michael Jackson, 10ccs Eric Stewart and Elvis Costello. But you need a producer who can stand up to him. He finally finds it in the British Nigel Godrich, who has gained renown through his work with Radiohead and Beck. He forces McCartney to formulate his songs, to leave his rock tour band at home and - as on his solo albums "McCartney" (1970) and "McCartney II" (1980) - to play almost all the instruments himself. "Chaos And Creation In The Backyard" is an album on Backyard "is an album on which McCartney takes off the mask of the eternal boy, acts vulnerable and introspective and plays masterful songs like" Jenny Wren "," Friends To Go "and" Too Much Rain “arranged with great attention to detail. Godrich and McCartney do not part on good terms, but the result proves the producer is right.